Mendelssohn / Bernius / Kamerchor Stuttgart- Te Deum (CD)
"My commitment to the present new recording is not only important because of advanced ensemble techniques, but also because I believe that with a cast of soloists, as in the sixteen-part Hora est, transparency of the polyphonic movement can be achieved that is not so readily feasible with larger forces. A prerequisite here is the existence of ensemble capabilities among vocal soloists, as we also need it for earlier music. In any case, the vocal works which are also particularly interesting to me among those Mendelssohn composed for the Sing-Akademie are those of stylistically ambiguous definition, in which the composer, inspired by the example of the old masters, looks for - and finds - his own path. Our conception of being able to cast soloists from a chorus, as in the Te Deum, is also influenced by this model." (Frieder Bernius)
Tracklist:
- Te Deum À 8, Mwv B 15: I. Te Deum Laudamus
- Te Deum À 8, Mwv B 15: II. Te Aeternum Patrem
- Te Deum À 8, Mwv B 15: III. Tibi Omnes Angeli
- Te Deum À 8, Mwv B 15: IV. Tibi Cherubim Et Seraphim
- Te Deum À 8, Mwv B 15: V. Te Gloriosus Apostolorum
- Te Deum À 8, Mwv B 15: VI. Patrem Immensae Majestatis
- Te Deum À 8, Mwv B 15: VII. Tu Rex Gloriae
- Te Deum À 8, Mwv B 15: VIII. Te Ergo Quaesumus
- Te Deum À 8, Mwv B 15: IX. Salvum Fac
- Te Deum À 8, Mwv B 15: X. Per Singulos Dies
- Te Deum À 8, Mwv B 15: XI. Dignare Domine
- Te Deum À 8, Mwv B 15: XII. Fiat Misericordia Tua
- Hora Est, Mwv B 18: I. -
- Hora Est, Mwv B 18: II. Vivace
- Kirchenmusik, Op. 23: No. 2, Ave Maria, Mwv B 19 (Arr. For Choir & Organ)
UPC > 881488200348
Format > New CD
Label > Profil - G Haenssler
Shop online at Darkside Records.
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"My commitment to the present new recording is not only important because of advanced ensemble techniques, but also because I believe that with a cast of soloists, as in the sixteen-part Hora est, transparency of the polyphonic movement can be achieved that is not so readily feasible with larger forces. A prerequisite here is the existence of ensemble capabilities among vocal soloists, as we also need it for earlier music. In any case, the vocal works which are also particularly interesting to me among those Mendelssohn composed for the Sing-Akademie are those of stylistically ambiguous definition, in which the composer, inspired by the example of the old masters, looks for - and finds - his own path. Our conception of being able to cast soloists from a chorus, as in the Te Deum, is also influenced by this model." (Frieder Bernius)
Tracklist:
- Te Deum À 8, Mwv B 15: I. Te Deum Laudamus
- Te Deum À 8, Mwv B 15: II. Te Aeternum Patrem
- Te Deum À 8, Mwv B 15: III. Tibi Omnes Angeli
- Te Deum À 8, Mwv B 15: IV. Tibi Cherubim Et Seraphim
- Te Deum À 8, Mwv B 15: V. Te Gloriosus Apostolorum
- Te Deum À 8, Mwv B 15: VI. Patrem Immensae Majestatis
- Te Deum À 8, Mwv B 15: VII. Tu Rex Gloriae
- Te Deum À 8, Mwv B 15: VIII. Te Ergo Quaesumus
- Te Deum À 8, Mwv B 15: IX. Salvum Fac
- Te Deum À 8, Mwv B 15: X. Per Singulos Dies
- Te Deum À 8, Mwv B 15: XI. Dignare Domine
- Te Deum À 8, Mwv B 15: XII. Fiat Misericordia Tua
- Hora Est, Mwv B 18: I. -
- Hora Est, Mwv B 18: II. Vivace
- Kirchenmusik, Op. 23: No. 2, Ave Maria, Mwv B 19 (Arr. For Choir & Organ)
UPC > 881488200348
Format > New CD
Label > Profil - G Haenssler
Shop online at Darkside Records.
Follow us on Instagram.
